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Two club rats
fell asleep in a van…

…to awaken in weirdness…rollin’…rollin’…rollin’ on the River Broadway…in a life-boat dubbed Passing Strange, …a sturdy vessel of autobiographical-fiction wrought by and starring one Stew, an irreverent party whose entire knowledge of theater prior to this reverie consisted of liking the film version of How to Succeed in Business. Heidi Rodewald, the other club-rat, Stew’s partner in crime, accomplice in mayhem, and ace-collaborator, co-scribes la musique while co-creator Annie Dorsen magic-wands it all into a waking dream that withstands seven Tony Nominations and a Best Book of a Musical Tony for club-rodent eins. Some bodies called it a rock concert in musical theater drag, others, a play out of which a rock show emerged. Spike Lee called it a wrap but not before filming the finale and flagrantly forming it into a 100% fresh joint of ya-dig, sho-nuff cinema about which all raved.

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